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葛内斯 阐德拉 巴术
Ganesh Chandra Basu
《古代爱情262》
布面丙烯 120cm×106cm 2013
生活中现实像一根线一直牵着我的手它的另一头是思绪与孤独的边缘......
《古代爱情231》
布面丙烯 60cm×60cm 2014
《古代爱情251》
布面丙烯 118cm×102cm 2015
旅行——旅行并一直旅行，探索中心印度的石块、洞穴和史前艺术及文化，同时也在一些有异域风情的部落地区，像Santhal, Birhor, Chenchu, Kanikkar, Urali, Riang, Nicobaress及Onge。这里，探索我内在与外在环境的基质挖掘出了长期寻找着已被遗忘的古老的生活及文化的生命瞬间。旅行的时间我继续在心中和脑中绘画，而这一过程能体现在我的画布上。古老的生活和文化传达了可视下的人类及动物之间的热情与同情，而人类的人性却体现在看不到的方面。
《古代爱情232》
布面丙烯 60cm×60cm 2015
《古代爱情239》
布面丙烯 60cm×60cm 2014
《古代爱情245》
布面丙烯 60cm×60cm 2014
印度神学相信每一个有机体携带着梵天 (Brahamma(maha pranna) )从神性，自然动物和鸟。 毗湿奴派信徒(Vaishanava: 指印度教大神毗湿奴的崇信者)的神主毗湿奴(Vishnu: 印度教主神之一，守护之神, 守护之神毗湿奴化身为下界的一位国王)到神鸟揭路荼(Garu: 印度神话中鹰头人身的金翅鸟), 公牛南迪(Ox Nandi)，并且我们看到每条神圣之路上孟菲斯及耶稣的肩上站立着神羊！
《古代爱情》
布面丙烯 75x85cm 2015
《古代爱情236》
布面丙烯 60cm×60cm 2015
《古代爱情》
布面丙烯 105cm×90cm 2013
物质条件受到吠陀经的影响，马（雅利安人的交通工具）是神圣的具有奉献精神的动物和鸟类应该被牺牲来作为不同场合的祭祀。从现在的角度来看我们可以谴责动物牺牲的野蛮性。然而如我们看到了从新石器时代的角度的实践，牺牲代表敬畏某些重要的东西。再更普通的层次来看，这只是个无用的螺母，提供了一种更优越的存在去感谢或者安抚它。这一习惯在我们的社会关系甚至今天还在继续。然而，在给礼物和牺牲生命之间有一个基本的区别。区别在于执行时的残忍性……
《古代爱情265》
布面丙烯 122cm×152cm 2015
《古代爱情266》
布面丙烯 152cm×122cm 2014
《古代爱情》
布面丙烯 60cm×60cm 2014
我深处的强烈的意识是人类、动物、自然，沟通影响了所有的人类宗教妨碍了我们的现代社会。我的世界是万物有灵的，这个世界看着所有的东西，所有有生命的东西。
《古代爱情234》
布面丙烯 82cm×74cm 2015
《古代爱情264》
布面丙烯 106cm×106cm 2014
所以，我尝试去找到和创造属于我自己的世界。我创作的主要灵感来源是来自于洞穴和石块画，同时也有民族的和原始的一些术语。我的绘画由古怪的连锁线及沉浸音乐中的姿态来表达。我认为我的美学的本质通过红、绿、黄、橙、柠檬黄、暗绿色、朱红色、棕红色、岩黑这类的颜色来体现的。画面组成是作为古老生命和文化的无限的能量存在。所以我的实验的系列——“古老之爱”及其他……！
Ganesh Chandra Basu（India）：
I search myself identity and self-distinguished motive in order to make a something
else - The Earth moves round the sun as usual from the times beyond our reach and
simultaneously nature and the hard reality go hand to hand and it touches the string of
mind as if I am standing alone by the side of various thought......
So I travel - travel and travel, explore the Central Indian rock, cave and prehistoric art
and culture and also travel exotic aura around tribal (Santhal, Birhor, Chenchu,
Kanikkar, Urali, Riang, Nicobaress and Onge) Folk- art remains only at the aesthetic
and philosophical levels. Then the matrix of experience exploration of my internal and
external environment exavating the living moment in search of long forgotten Ancient
life and culture. Travel time I keep paintings in my heart and mind the process will go
on my canvas. The Ancient life and Culture expresses the passion the empathy
between man and animal at the visible level and man and his own humanity at the
invisible level.
Hindu mythology belief the every organism carry the Brahamma (maha pranna) from
the sacred animal and bird with nature. (Vaishanava’s god Lord Vishnu’s sacred bird
Garur, Ox Nandi is the Chief attendant of Lord Shiva, and the Divine cowherd Lord
Krishna) and side by side we see the sacred bull of path god of memphis and Jesus
carried the lamb on his shoulders! Buddha also love the Nature and Animals
………………… !
Agricultural practices and the socio-economic reality in a word, the material
conditions influenced the choice in the Vedas for instance, the horse (the vehicle of
the Aryans) is the pre-eminent sacrificial animals and birds should be sacrificed for
different reasons and occasion. From today’s perspective we can deplore the
barbarity of animal sacrifice. Yet if we see the practice from the viewpoint of Neolithic
times the sacrifice assumes and awes some significance. At the more ordinary level
it is nothingnut an offering made to a superior being either as a thanksgiving or to
placate it. This custom continues in our social relations even today. However, there is
a basic difference between giving gifts as practiced to and the sacrifice off living
beings. The difference points no doubt to the cruelty of the practice......
My deep and strong realization Human, Animal and Nature, Communications make to
the impact all human religion impediments in our contemporary society. I see My
World is animistic, this world sees thing with life!
So, then I try to find and create my own World (relation to the Europe, Latin America,
Africa and Central Asia) mainly foundation of inspirations for my creations come from
the Indian cave and rock paintings and also folk and primitive terminology. My
paintings eccentric patterns of interlocking lines musical Gesture and I think my
Aesthetically essence through this kind of color like Red, Green, Yellow, Orange,
Lemon Yellow, Sap Green, Vermilion Tint, Burnt umber, Blue, Stone black etc.
My composition is unlimited on power being as an Ancient life and Ancient Culture.
So my experimental series - “ANCIENT LOVE” and other …………………!!
BYICAA
《方向 未来 Pulse of the Future》
国际合作项目
北京青年国际文化艺术协会
企业社会责任研究中心
编辑：李慧珍
文章：葛内斯 阐德拉 巴术 Ganesh Chandra Basu
文字整理：杨志荣
翻译：BYICAA翻译之家 陈佳昱
BYICAA CSR Research Center
Editor: Hyejin LEE
Article: Ganesh Chandra Basu
Text arrangement: Zhirong YANG
Translation: Translators of BYICAA Chenjia YU
*转载文章注明文章来源*
北京青年国际文化艺术协会
公共微信号：BYICAA
